MAIN STREET CROSSING | LIVE 2025
LIMITED EDITION MERCH PACK
LTD ED signed cd
ONLY 100 PRESSED (DOWNLOAD INCLUDED)
WILL NOT BE RELEASED TO STREAMING
YOUR NAME IN THE LINER NOTES!
INCLUDES STORIES FROM THE ROAD, BTS PHOTOS FROM MY PHONE AND JOURNAL ENTRIES FROM THE PAST 2 YEARS OF TOURING
11x17 SIGNED POSTER
+ SIGNED SET LIST
MAIN STREET CROSSING | LIVE 2025
LTD ED SIGNED CD (PLUS DIGITAL DOWNLOAD)
ONLY 100 WILL BE MADE, NOT RELEASED TO STREAMING
YOUR NAME IN THE LINER NOTES
SIGNED TOUR POSTER
SIGNED SET LIST
SIGNED TOUR PHOTO JOURNAL
ALL FOR JUST $35
This one feels important to say out loud.
Every album I’ve made has been chasing a slightly different question.
In my twenties, with The 71’s, the goal was simple:
Can we make a record that sounds as good as we do live?
When the band ended and I started making records on my own—albums like Killer Eyes and Hard Times—something shifted. For the first time, I could do both. I could shape the studio world and step on stage confidently. I loved that balance. It felt like arriving.
Then Coefficient of Fiction happened.
As the sound moved away from guitar amps and drum kits—and toward vintage synths, sampled drum machines, and more cinematic space—I was suddenly faced with a choice I hadn’t had before.
I could try to make the live show sound like the record.
Or I could ask a better question:
What does a live version of these songs want to be?
Over the past two years, every show has been an attempt to answer that.
And somewhere in there, I learned something about myself too—how to stand in front of people without ego, just as the person I find inside these songs… and also when it’s time to let go completely and dive headfirst into the joy of the room.
It’s been incredible.
As this new year kicks off, I mostly just wanted to say thank you to everyone who’s come out and shared those nights with us—and hello to those of you still waiting for us to make it your way.
This live album collection is for those of you who are listening - thank you!
– Keeton
